Emerald Sunset Study

"Emerald Sunset Study"
6"x6" Oil on Gessoboard
$120 Unframed
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I had a really tough time with this one. The shophouse is pretty much silhouetted, but I didn't want it to be flat. I really wanted to get the correct shadow colors. In the end I really feel like I did a good job with it, and I love how realistic it looks. One of the toughest parts of it was getting the dark red color correct. Until I used the Photoshop color dropper to make a swatch, I kept making it a dirty dark red. In fact it was a really beautiful fuschia. All by itself it was a crazy pink purple, but in the context of the whole painting it reads as a dark red, which is just fascinating. 

The other color that was giving me a run for my money was the reflection of the sky. Initially it seemed like since the sun was setting, the window should reflect a yellow color as well. But since the sun is coming from behind, the window is reflecting the sky in the opposite direction of the views, which is the blue you find towards the top of the sky during a sunset. Even that blue kept on coming out more muddy - until I used the color picker again. This is a fantastic tool to have in the arsenal! I like to use it to get a truer idea of the color, and then I push or pull it in the way that I whichever way I want to empasize it. In the meantime, it gives me a great jumping off point.

Greek Detail

"Greek Detail"
4"x4" Oil on Gessoboard
$45 Unframed
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I was having a stuck afternoon. All the shophouses looked the same, I couldn't seem to come up with any new compositions or colors. I was tired - just stuck. So I zoomed in on the corner of one shophouse and decided to do a small study of the top of one of the columns. They're so hard to showcase in a regular painting, just too much detail. This definitely helped get my brain on another tack and loosened me back up. Plus, I had a lot of fun experimenting with the colors in the shadows. The bright magentas and purples were so fun to work with!

Club Street Arches

"Club Street Arches"
6"x6" Oil on Gessoboard
$120 Unframed
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This is a lovely little house right up on Club Street, close to Chinatown. I was finally able to get there during a time of day that had a lot of the houses in this beautiful light. Turns out that time of day is first thing in the morning!


Right now I am finding more growth and development in my art from trial and error and seeing what works than I could learn from somebody telling me how to do it at this point. Mostly this is because I am working on developing my style - that involves quite a bit of inner reflection and study of others that you simply have to do on your own. Your style has to do a lot with three things - your color palette, your brushstrokes, and your subject matter. 


My subject matter is slowly growing and evolving, but I'm really trying to define my style more through my colors and brush strokes. To do this, I'm especially enjoying studying other artist's paintings - how they crop them, how they frame a subject, the lighting. Then I look at the color and brushstrokes and figure out what I like, what I don't like. I have especially started looking at other artists for their color handling. For example, I have been struggling and struggling with yellows. How to have them go to shadow without having them look muddy. For the painting above, I took a look at Karin Jurick's painting, "Hot Seat." (Click Here to view/purchase)

Since I was having a rough time with the shadow side of yellow, this was a perfect painting to use for study. She has one small spot that is pretty much black, and another that is a very warm black/brown. But then for the rest of the medium shadows, it is much warmer than I initially tought. I was taught that shadows make colors cooler, which initially you are taught to mix compliments - so that would mean to add blue/violet. And yes, they do, but if you go too cool, too quickly, the color winds up looking muddy and dead. 

Karin's shadow is ALIVE. She doesn't define too much, and she doesn't make the shadow just one flat plane, but it the shadow stays nice and warm. It is basically a burnt sienna, and in some places a really lovely red orange. When you use these warmer darks, it still gives the impression of shadows, but the shadows become much richer. Shadows aren't always blue. In any case, since my shophouse was a yummy buttery yellow, I didn't have the shadows go too warm, as I didn't want the shadow to be warmer than the sun-drenched portion. This was a great exercise, and I learned quite a bit.

Chinatown MRT

"Chinatown MRT"
6x6 Oil on Gessobord
$120 Unframed
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Back to the shophouses! This one is right by the entrance to the Chinatown MRT. If you come up from the MRT, and look up to your right, this house is right there. As for painting the shophouses, it feels good to be back. I really enjoy coming back to them and trying new ideas on them. On this one I really wanted to try and work on painting the details in the architecture. I've done it a little bit, but not in quite as much detail as this one. Man, it was fun.

Arches in Blue

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"Arches in Blue"
5"x7" Oil on Panel
$45 Unframed
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This painting is another one from my too-short time in NYC. This was during the day that I got to visit the New York Public Library - what a splendid building. The architecture was so neat, and the people watching was spectacular. I really enjoyed spending time there. This was during one of the days that was very overcast, so I tried to go to place that were inside to find good lighting.

And to continue my discussion from yesterday about exotic food that we had at the wedding, take for example, shark fin soup. (Here is my obligatory link to something about banning shark finning: http://en.wikipedia.org/wiki/Shark_finning.) They did serve shark fin soup, which Singapore has finally banned from restaurants. I did try it because 1) the soup had already been made and 2) I didn't want to offend the people that had invited us by staging a moral protest. The soup was okay - basically the part I thought was an onion-y mushroom wound up being the bits of fin. It basically tasted like some mushrooms and onions in a chicken based broth. Not bad, but not exactly something I'd want to spend $100 per bowl on (and yes, that is the price in restaurants for a bowl of shark fin soup!). If we are going to eat something expensive and exotic, Bird's Nest Soup (explanation here: http://en.wikipedia.org/wiki/Bird%27s_nest_soup) is much tastier. And yes, the bird's nest basically consists of bird spit and twigs.

Club St. Chic

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"Club St. Chic"
6"x16" Oil on Panel
$395 Unframed
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This painting is from Club St. in the Chinatown area. I thought the architecture as well as the colors were just something that I couldn't pass up!